| Description |
1 online resource |
| Contents |
1. Introduction -- 2. Intruders as Liberators in "The Birthday Party" -- 3. Estrangement and Reconnection in "The Caretaker" -- 4. Implied Silence: Anatomizing Friendship and Betrayal in "The Dwarfs" -- 5. Conceptualizing Structure, Freedom, and Desire in "The French Lieutenant's Woman" -- 6. Epilogue |
| Summary |
While the Absurd is frequently used to analyze Harold Pinter's work, some aspects have been long overlooked in Pinter criticism - contemplation and affirmation. Many scholars note the menacing, dark, and sinister qualities of Pinter's works, however there is a lack of alternative interpretations and very little attention has been paid to the affirmative aspects of his plays. This work remedies the lack by examining these aspects, in particular the characters' focus on overcoming trying circumstances, their persistence in the pursuit of freedom, and their stoic but courageous attitudes toward a fate they cannot avoid. Using Martin Esslin's "invention"--The Theatre of the Absurd - to examine Pinter's works, Jane Wong Yeang Chui brings the complexities and intricacies of the plays to the forefront, provoking readers and audiences to reconsider and problematize more conventional studies of his plays |
| Notes |
Publisher supplied information; title not viewed |
| Subject |
Pinter, Harold, 1930-2008 -- Criticism and interpretation
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| SUBJECT |
Pinter, Harold, 1930-2008 fast |
| Subject |
English drama -- History and criticism
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Literary studies: plays & playwrights.
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DRAMA -- English, Irish, Scottish, Welsh.
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Literature.
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English drama
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
9781137343079 |
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1137343079 |
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