| Description |
1 online resource (201 pages) |
| Contents |
Cover; Half Title ; Title Page; Copyright Page; Table of Contents; List of figures; List of contributors; Acknowledgements; Introduction; Part I Shaping the debate; 1 The Bard abroad in Africa; 2 Classical Binglish in the twenty-first century; 3 Diversity: challenge and gain; 4 Ayanna Thompson in conversation with Dawn Monique; Part II The diverse Bard on stage; 5 'Why then the world's mine oyster/Which I with sword will open': Africa, diaspora, Shakespeare: cross-cultural encounters on the global stage |
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6 Will we ever have a black Desdemona? Casting Josette Simon at the Royal Shakespeare Company7 Much Ado About Knotting: arranged marriages in British-Asian Shakespeare productions; 8 David Thacker and Bill Alexander: mainstream directors and the development of multicultural Shakespeare; 9 The black body and Shakespeare: conversations with black actors; Part III The creative professionals; 10 1960s Birmingham to 2012 Stratford-upon-Avon; 11 Dancing since strapped to their mothers' backs: movement directing on the Royal Shakespeare Company's African Julius Caesar; 12 Tropical Shakespeare |
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Part IV Changing spaces, changing minds13 Souks, saris and Shakespeare: engaging young, diverse audiences at Shakespeare's Globe and the National Theatre; 14 Brave new Bard: Shakespeare and intersectional feminism in the British classroom; Index |
| Notes |
Print version record |
| Form |
Electronic book
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| ISBN |
9781317429449 |
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1317429443 |
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