| Description |
1 online resource (x, 244 pages) : illustrations |
| Series |
Film and culture |
|
Film and culture.
|
| Contents |
Introduction: where film meets philosophy -- Phenomenology and the viewing subject -- Film connotation and the signified subject -- Sound, image, and the order of meaning -- Alain Resnais and the code of subjectivity -- Jean-Luc Godard and the code of objectivity -- Conclusion: where film and philosophy may lead |
| Summary |
Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear foundation for the recent field of inquiry called?film-philosophy," he devises a systematic theory of film's philosophical function and its deconstruction of classic oppositional concepts, such as subject and object, real and imaginary, and interior and exterior. After merging Maurice Merleau-Ponty's theory of subject-object rel |
| Bibliography |
Includes bibliographical references (pages 229-238) and index |
| Notes |
Print version record |
| Subject |
Godard, Jean-Luc, 1930-2022 -- Criticism and interpretation
|
|
Resnais, Alain, 1922-2014 -- Criticism and interpretation
|
| SUBJECT |
Godard, Jean-Luc, 1930-2022 fast |
|
Resnais, Alain, 1922-2014 fast |
| Subject |
Motion pictures -- Philosophy
|
|
PERFORMING ARTS -- Film & Video -- History & Criticism.
|
|
Motion pictures -- Philosophy
|
| Genre/Form |
Electronic books
|
|
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| LC no. |
2012039151 |
| ISBN |
9780231530828 |
|
023153082X |
|
