Title The Routledge companion to indigenous art histories in the United States and Canada / edited by Heather Igloliorte and Carla Taunton

Published New York : Routledge, 2022

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Description 1 online resource (465 p.) Series Routledge art history and visual studies companions Contents Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Author Biographies -- List of Figures -- Preface -- Introduction: The Path Before Us: Generating and Foregrounding Indigenous Art Theory and Method -- Section I Sovereignty and Futurity -- 1 Art, Visual Sovereignty and Pushing Perceptions -- 2 Dancing Sovereignty: Reclaiming the Grease Trail Through Protocol, Movement, and Song -- 3 Shifting the Paradigm of Art History: A Multi-sited Indigenous Approach -- 4 An Inuit Approach to Archival Work Based on Respect and Adaptability 5 Overclock Our Imagination!: Mapping the Indigenous Future Imaginary -- 6 A Manifesto of Close Encounters -- Section II Kinship, Care, Relationality -- 7 Kitchen Tables and Beads: Space and Gesture in Contemplative and Creative Research -- 8 Expanding Relationships: Beyond the Non -- 9 Wisdom in Beauty: Respect in Indigenous Curation -- 10 Balancing Curatorial Indigenous and Queer Belonging: -- 11 Taking Good Care: Collaborative Curating and the Alberni Indian Residential School Art Collection 12 Betraying the Object: Relational Anxieties and Bureaucratic Care in Indigenous Collections Research -- 13 A Brief Conversation on Visiting, Mentoring, The Land, and Art History -- Section III Indigenous Ways of Knowing and Being -- 14 miýikosiwin: Spirit, Land and Form Among Turtle Island's Indigenous Artists, Designers and Architects -- 15 Indigenous Curation in LA: The People's Home: Winston Street 1974 -- 16 The Giving Tree: Methodologies of Generosity -- 17 Frontrunners as an Exploration of Indigenous Littoral Curation -- 18 A:Shiwi Art History: The Strength of Pueblo Place 19 Inuit Research Methodologies: Conversations Toward Reclaiming Inuit Protocols with Robert Comeau -- 20 A Braided Process: Decolonizing, Indigenizing, and Self-Determination -- 21 There are No Metaphors: A Proposal for Dreaming Indigenous Philosophies into Studio Arts Education -- Section IV Anti-colonial Practices -- 22 From Colonial Trophy Case to Non-Colonial Keeping House -- 23 An Ethic of Decolonial Questioning: Exercising the Quadruple Turn in the Arts and Culture Sector -- 24 Unsettling Artistic Expectations With Two-eyed Seeing 25 Decolonizing Representation: Ontological Transformations Through Re-mediation of Indigenous Representation in Popular Culture and Indigenous Interventions -- 26 Care Full Discomfort: Engaged Decolonial Practice, People and Admin -- 27 Telling the Stories of Objects in Museum Collections: Some Thoughts and Approaches -- 28 Art Racism to Indigenography Methodology -- 29 A Glossary of Insistence -- Section V Stories, Living Knowledges, Continuity and Resurgence -- 30 Writing and Sharing Our Art Histories: Storying Histories of Art: Activating the Visual Summary This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America "This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodies, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; collaboration, consultation and mentorship"-- Provided by publisher Notes 31 Bringing Stories to Sites at Shore Lunch Clarkson/Mississauga Subject Indian arts -- United States Indian arts -- Canada Indian arts -- Historiography Indian arts. Canada. United States. Form Electronic book Author Igloliorte, Heather L., editor Taunton, Carla, editor ISBN 1000608557 9781000608557 9781000608564 1000608565 9781003014256 1003014259

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