Description |
1 online resource (vi, 320 pages) |
Series |
Advances in consciousness research, 1381-589X ; v. 89 |
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Advances in consciousness research ; v. 89.
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Contents |
Bodily resonance -- The moving body : gestural recreation of the world in drama -- Movement, gesture and meaning -- Achieved spontaneity and spectator's performative experience -- The digital body in contemporary American cinema -- Embodiment : technologies and musics -- Is gesture knowledge? Musical gestures -- Sound in film as an inner movement -- Body English : kinaesthetic empathy, dance and the art of Len Lye -- The somatic in kinetic sculpture -- Edgar Degas : modelling movement -- Time lines : the temporal dimension of marking -- Styles of observation and embodiment : using drawing to understand Robert Morris' Untitled 3 L-Beams (1965) -- Cy Twombly : gesture, space and writing -- Pre-motor and motor activities in early medieval handwriting -- The neurophenomenology of gesture in the art of Henri Michaux -- Moving without moving -- The "I cannot, but it can" of aesthetic perception |
Summary |
To know anything in space (for instance, a line), I must draw it, and thus synthetically bring into being a determinate combination of the given manifold, so that the unity of this act is at the same time the unity of consciousness (as in the concept of a line); and it is through this unity of consciousness that an object (a determinate space) is first known. Immanuel Kant, Critique of Pure Reason, B 138 (2007) |
Bibliography |
Includes bibliographical references and index |
Notes |
Description based on print version record |
Subject |
Mind and body.
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Human beings -- Attitude and movement.
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Arts -- Psychological aspects
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Arts audiences -- Psychology
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ART -- Performance.
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ART -- Reference.
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Arts audiences -- Psychology
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Arts -- Psychological aspects
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Human beings -- Attitude and movement
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Mind and body
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Form |
Electronic book
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Author |
Preester, Helena De, editor
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LC no. |
2013005329 |
ISBN |
9789027272003 |
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902727200X |
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