| Description |
1 online resource |
| Contents |
Introduction : Early modern drama and the Anthropocene -- Eco-materialist history. Grafting and ecological imperialism in John Fletcher's Bonduca -- Hewers of wood, drawers of gall : the wooden economies of race in Titus Andronicus and Lust's dominion -- Hemp, tobacco, and hot commodities on the English stage -- Eco-global performance. Monkeys, floods, and the "immortal William" : enduring nature and playing Shakespeare in the British Empire -- Stolen thunder : performing Shakespearean weather events in the Anthropocene -- Distributive justice in the Oikeios. Shaking the superflux : sin and redemption along geological faults in King Lear -- Epilogue : The empty drainpipe |
| Summary |
"Anthropocene Theater and the Shakespearean Stage revises the anthropocentric narrative of early globalization from the perspective of the non-human world in order to demonstrate Nature's agency in determining ecological, economic, and colonial outcomes. It welcomes readers to reimagine theater history in broader terms, and to account for more non-human and atmospheric players in the otherwise anthropocentric history of Shakespearean performance. This book analyses plays, horticultural manuals, cosmetic recipes, Puritan polemics, and travel writing in order to demonstrate how the material practices of the stage both catalyze and resist early forms of globalization in an ecological arena. William Steffen addresses the role of an understudied ecological performance history in determining Shakespeare's iconic cultural status, and models how non-human players have undermined Shakespeare's authoritative role in colonial discourse. Finally, this book makes a celebratory argument for the humanities in the age of climate change, and invites interdisciplinary engagement a research community that is compelled to find strategies for cultivating a hopeful tomorrow amidst unprecedented anthropogenic environmental changes."--Provided by publisher |
| Bibliography |
Includes bibliographical references (pages [217]-230) and index |
| Notes |
William Steffen is an Assistant Professor of English at American International College in Springfield, Massachusetts. His scholarly work, which focuses on the environmental humanities and the early modern English stage, has appeared in Renaissance Drama and in the Journal for Early Modern Cultural Studies. His teaching and research interests focus on travel literature, material culture, Anthropocene studies, and performance studies |
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Description based on online resource; title from home page (Oxford Academic, viewed February 6, 2024) |
| Subject |
Shakespeare, William, 1564-1616 -- Criticism and interpretation.
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Shakespeare, William, 1564-1616 -- Dramatic production.
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| SUBJECT |
Shakespeare, William, 1564-1616 fast |
| Subject |
English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism
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Ecocriticism.
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Ecology in literature.
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Nature in literature.
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Globalization in literature.
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Ecocriticism
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Ecology in literature
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English drama -- Early modern and Elizabethan
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Globalization in literature
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Nature in literature
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Theater
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Literature: history & criticism.
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Literature.
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| Genre/Form |
Criticism, interpretation, etc.
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| Form |
Electronic book
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| ISBN |
0192699954 |
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9780191968075 |
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0191968072 |
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9780192699947 |
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0192699946 |
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9780192699954 |
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