Chinese cinema on the eve of the Tianʻanmen incident -- Chinese cinema from 1989 to the middle of the 1990s and Feng Xiaogang's early career -- New Year films and Chinese cinema at the end of the 1990s -- The "corporate era" of Chinese cinema in the new millennium and Feng's post-New Year productions
Summary
The chapters in this book cover Chinese cinema on the eve of the Tian'anmen Incident, Chinese cinema from 1989 to the middle of the 1990s and Feng Xiaogang's early career, and the 'corporate era' of Chinese cinema in the new millennium and Feng's post-new year productions
Bibliography
Includes bibliographical references (pages 181-191) and index
