| Description |
1 online resource |
| Contents |
Cover; Title; Copyright; CONTENTS; Acknowledgments; Orthography; CHAPTER ONE On Scale; Scale & World Art; Scale, Scholarship & the â#x80;#x9C;Western Traditionâ#x80;#x9D;; A Theory of Scale; Scale in the Abstract; Scale in Practice; Scale & Meaning; Andean Scaled Relationships; The Inca Intellectual Tradition; CHAPTER TWO Scale & Material Culture; Architectural Models; Conopas; Camelid Conopas; Vegetable Conopas; Other Conopas; Purucaya Offerings; Other Funerary Offerings; Commensurate-Scale Tools; Commensurate-Scale Camelids; Chutas; CHAPTER THREE Scale & Built Environments; Mountains |
|
Modeling the LandscapeThe â#x80;#x9C;Golden Gardenâ#x80;#x9D; of the Coricancha; Scale & Stonework; Reduced-Scale Mountains; Reduced-Scale Landscapes; The Sayhuite Stone; Teteqaqa; Machu Picchu; CHAPTER FOUR Scale & Inca Worldviews; Constellations; Giants; Dwarfs; Cuzco; The Citua; Other Cuzcos; Hanan & Hurin; The Haucaypata; The Punchao; The Inca Emperor; The Son of the Sun; Royal Tunic; Huauques; The Inca People; Reduced Scale Figures & Textiles; The Capacocha; CHAPTER FIVE Conclusion; Notes to Text; Notes to Plates; Notes to Figures; Bibliography; Index |
| Summary |
Although questions of form and style are fundamental to art history, the issue of scale has been surprisingly neglected. Yet, scale and scaled relationships are essential to the visual cultures of many societies from around the world, especially in the Andes. In Scale and the Incas, Andrew Hamilton presents a groundbreaking theoretical framework for analyzing scale, and then applies this approach to Inca art, architecture, and belief systems. The Incas were one of humanity's great civilizations, but their lack of a written language has prevented widespread appreciation of their sophisticated intellectual tradition. Expansive in scope, this book examines many famous works of Inca art including Machu Picchu and the Dumbarton Oaks tunic, more enigmatic artifacts like the Sayhuite Stone and Capacocha offerings, and a range of relatively unknown objects in diverse media including fiber, wood, feathers, stone, and metalwork. Ultimately, Hamilton demonstrates how the Incas used scale as an effective mode of expression in their vast multilingual and multiethnic empire. Lavishly illustrated with stunning color plates created by the author, the book's pages depict artifacts alongside scale markers and silhouettes of hands and bodies, allowing readers to gauge scale in multiple ways. The pioneering visual and theoretical arguments of Scale andthe Incas not only rewrite understandings of Inca art, but also provide a benchmark for future studies of scale in art from other cultures |
| Bibliography |
Includes bibliographical references and index |
| Notes |
In English |
|
Vendor-supplied metadata |
| Subject |
Incas -- South America -- Antiquities
|
|
Proportion -- Antiquities
|
|
Archaeology -- South America
|
|
Ratio and proportion.
|
|
Scaling (Social sciences)
|
|
Proportion (Art)
|
|
Incas -- Material culture
|
|
Inca art.
|
|
Incas -- Antiquities.
|
|
balance (composition concept)
|
|
HISTORY -- Latin America -- South America.
|
|
ART -- Criticism & Theory.
|
|
Archaeology
|
|
Incas -- Antiquities
|
| SUBJECT |
South America -- Antiquities.
http://id.loc.gov/authorities/subjects/sh2002006293
|
| Subject |
South America
|
| Form |
Electronic book
|
| ISBN |
9781400890194 |
|
1400890195 |
|
