Situating accented cinema -- Interstitial and artisanal mode of production -- Collective mode of production -- Epostolarity and epostolary narratives -- Chronotopes of imagined homeland -- Chronotopes of life in exile: claustrophobia, contemporaneity -- Journeying, border crossing, and identity crossing
Summary
An overview of the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of the text. The text presents comprehensive and global coverage of this genre
Bibliography
Includes bibliographical references (pages 317-348) and index
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
Print version record
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