| Description |
1 online resource (396 pages) |
| Contents |
Cover; Half Title; Title; Copyright; Contents; List of Music Examples; List of Figures; List of Tables; Notes on Contributors; Editors' Preface; PART I PHILOSOPHY OF MUSIC; 1 Musical Meaning?; PART II WAGNER; 2 The Trial of Richard Wagner; 3 Music as Natural Language in the Moral Order of Wagner's Ring: Siegfried, Act 2, Scene 3; 4 Wagner and Mendelssohn; PART III LISZT; 5 TrisZtan: Or, the Case of Liszt's 'Ich möchte hingehn'; 6 The Controversy Surrounding Liszt's Conception of Programme Music; 7 Death Transfigured: The Origins and Evolution of Franz Liszt's Totentanz |
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8 Common Narrative Structures in Music and Literature: A Semio-stylistic Investigation in the Arts of the Nineteenth Century (Liszt and Goethe)9 Changing Aspects of the Sacred and Secular: Liszt's Legend of St Elisabeth in the Repertory of the K.K. Hof-Operntheater in Vienna; PART IV MEDIATING MUSIC: CREATING, COLLECTING AND PUBLISHING IN NINETEENTH-CENTURY FRANCE; 10 World Fair -- World Music: Musical Politics in 1889 Paris; 11 Regionalism, Latinité and the French Musical Tradition: Déodat de Séverac's Héliogabale; 12 Hérodiade: Church, State and the Feminist Movement; PART V MUSIC AND NATION |
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13 Music Copyright and the Prussian Copyright Act of 183714 German Nationalism and the Reception of the Czech String Quartet in Vienna; 15 Creation/Evolution: Metaphoric Syntheses in Nineteenth and Early Twentieth-Century Music Historiography in Britain; PART VI WOMEN AND MUSIC; 16 Art Music and Activist Discourse: The Case of the African-American Musician Amelia Tilghman; 17 Josephine Lang and the Schumanns; Index |
| Notes |
Print version record |
| Subject |
Congresses
|
| Form |
Electronic book
|
| Author |
Samson, Jim
|
| ISBN |
9781351556309 |
|
1351556304 |
|
